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Video hosted on the PAR YouTube channel.
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4.6. Challenges and opportunities for practice researchers: the PRAG-UK reports

Seminar on the 16 June 2025

Challenges and opportunities for practice researchers: the PRAG-UK reports.

In this session practice researchers and PAR network members Scott McLaughlin and Tim Stephens will discuss the 2021 PRAG-UK reports on practice research in the UK.

Source: SMcLaughlin. Credit: Sam Walton

This ‘found image’ from the internet - bio-photo - is a non-representative image for Tim Stephens. Indicating anattā (Sanskrit; nonself), it is one of hundreds of versions of this image found online; see also Photographic Nonself. This strategy evokes Penelope Umbrico’s work on internet images – Sunsets from Flikr (2006-2016); Thich Nhat Hahn’s term interbeing (English,1966, or Vietnamese Tiếp Hiện) and other formulations of interdependent co-arising or dependent origination (Sanskrit/ Pali pratītyasamutpāda/paṭiccasamuppāda).

Source: Internet, Author unknown

The reports were written as a way to gather current thinking across the breadth of arts disciplines, but also to try and offer some core principles and discourses as a way to help anchor a field whose vibrancy and experimentalism inevitably also comes with fragmentation of approaches and issues of communication both internally and to those outside the field (e.g. the dizzying profusion of terms for what we do: practice-led/based/as-research, artistic research, etc.)

In the words of the report’s supervision team: “[they] provide a way to articulate and advocate for the concerns of the practice research community. […] to look at how we might move from a sense that ‘sharing practice research is just for REF’ to a clear and open stance where ‘practice research is for life’. In this view, outputs from practice research projects remain accessible in perpetuity to diverse audiences, are discoverable in the public domain, and practice research operates as a critical component of an open, contemporary and thriving research ecology.”

As we approach another REF cycle, the lessons and insights of these reports are more important than ever. Frequently practice researchers find themselves alone or poorly-served in institutions and systems that struggle to understand non-textual outputs. The PRAG-UK reports offer an excellent advocacy position to support practice researchers in articulating and sharing their work, and also to develop communities of good practice in valuing the FAIR approach to research to make all of our work Findable, Accessible, Interoperable, and Reusable.

To reflect the complexity of positions within practice research two very different academics will enact a conversation. Scott and Tim who have only just been introduced, co-investigate, with the facilitation of Nicole, their own practices as academics. Tim offers a perspective from education as embodied practice, Scott as practice researcher in music composition and PRAG-UK steering-group member. Whilst we share an understanding of the value of these reports, we will consider what, within a milieu of sectoral conservatism and funding challenges, practice researchers might do for our institutions and their publics and if and how we need to acknowledge the constraints within which practice operates; a fluctuating economy, where generosity is essential and competitive systems appear wasteful.

Conversations are a form of improvisation; and we hope such conversations, on milestone Reports such as this, nurture ongoing efforts to enrich dialogue both within and outside the community of practice researchers, echoing the concerns of authors James Bulley and Özden Sahin.

Dr Scott McLaughlin (b.1975) is an Irish composer/improviser based in Huddersfield (UK). He is associate professor in composition and music technology at the University of Leeds and directs CePRA (Centre for Practice Research in the Arts), as well as convening the RMA Practice Research Study Group. He is a steering group member for PRAG-UK. Scott was Co-I on the AHRC SPARKLE project (Sustaining Practice Assets for Research, Knowledge, Learning and Engagement [2022]), and PI on an AHRC Leadership Fellowship (2019–21), the ‘Garden of Forking Paths’, on composing with contingent materialities. His current research uses different methods to excite resonance in sounding bodies to exploit physical non-linearities and generate musical patterns/structures.

Tim Stephens is an education developer, with a specialism in curriculum, at the University of the Arts London, a writer and photographic artist. He has 30+ years’ experience of working in education, with learners, artists, teachers and organisations and his areas of interest are: the inter-play between art and writing practices, embodiment, the relationship between cognitive and non-cognitive experience, equality, western and non-western ethics, organisational and social change.

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Video hosted on the PAR YouTube channel.
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The Practice As Research network with its resources is free and always will be, but it does of course incur costs to run and to keep it running. If you use it and benefit, enjoy it and would like to keep it going, please, consider leaving something in the tip jar. Thank you!

4.5. Listening with images: Photography as method in creative practice research

Source: TKing

Seminar on the 21 May 2025

Listening with images: Photography as method in creative practice research.

This presentation explores photography as method in creative practice research, demonstrating how lens-based methodologies create unique opportunities for expression, reflection, and knowledge creation beyond traditional research approaches. The research illustrates how photography’s accessibility and immediacy make it particularly effective for fostering understanding and accessing embodied knowledge.

Dr. King shares her photography as method project work with older adults, examining various photographic approaches including photo reminiscence, photovoice, collaborative photography, photo walks, and text-to-image AI generation. These visual methodologies provide participants with agency in the research process while revealing nuanced relationships with place and environment that might otherwise remain unexpressed. The presentation highlights visual storytelling’s power to elicit experiences, memories, and perspectives that traditional verbal or written methods may struggle to access.

Through various case studies, Tricia will demonstrate how photography enhances data collection, analysis, and presentation in research documentation. She will showcase techniques for creating meaningful photo narratives that authentically represent participants’ voices while generating rich qualitative insights. Additionally, the presentation addresses essential ethical considerations when working with lens-based practices, highlighting complementary approaches such as Friendship as Method, which prioritize participant care, dignity, and collaborative meaning-making throughout the research process.

Dr Tricia King is a researcher in creative arts health, specialising in innovative approaches to enhancing older adults’ well-being through participatory visual methodologies. Her work employs lens-based techniques like photo voice and collaborative photography to explore and amplify the lived experiences of older adults, challenging visual ageism and promoting social connection. Among her recent projects, Dr King founded the community led Ageing Well Creative Lab where she develops interdisciplinary programs that bridge creativity, technology, and social engagement. This fortnightly program introduces older adults to cutting-edge technologies including augmented reality, photographic editing, and drone photography, fostering intergenerational learning and technological empowerment. She is a founding member of the UniSC Creative Ecologies Research Cluster and theme leader in the Healthy Ageing Research Cluster, – working across both clusters to promote place based environmental and social connectedness for older adults and explore how embodied experiences in natural environments can cultivate ecological empathy and cultural knowledge. Her approach uniquely combines creative practice, social research, and place-based methodologies. She is currently convenor of the Australian Association of Gerontology’s Creativity, Art, and Design Special Interest Group and National Leader of the Student and Early Career Researcher Communications Working Group. Tricia is a member of the QLD Arts Health Network, is an Associate Editor of the Arts & Health Journal (Taylor & Francis), and a founding editorial member of the Journal of Creative Research Methods (launching late 2025). Dr King’s ongoing research continues to further knowledge understanding of creativity’s role in healthy aging and social connection.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

4.4. Intersecting the tourist gaze with visual arts practice-based research

Source: LTodd

Seminar on the 25 March 2025

Intersecting the tourist gaze with visual arts practice-based research.

In this seminar, Dr Louise Todd will discuss her visual arts practice-based research to understand the visual culture of tourism and the tourist gaze thesis (Urry & Larsen, 2011). Here, it is suggested that tourists’ and others’ visual practices and performances, such as photography and sightseeing, form an intersection of gazes (Crang, 1997; Lutz & Collins, 1991).

Although tourism’s visual culture, and the tourist gaze, are of interest on interdisciplinary bases, much research in this area is written. The discussion is frequently captured and framed through considering photographic practices: particularly those undertaken by tourists, and within tourism settings (Ekici Cilkin & Cizel, 2021).

Louise Todd (2024) Memory Travels, oil on canvas, 100cm x 100cm, on view at Visual Arts Scotland (VAS) Then and Now: 100 years of Visual Arts Scotland, Royal Scottish Academy, Edinburgh, 17th February – 13 March 2024 (image to right of frame).

Nevertheless, there has been little attention directed to tourism through visual arts practice-based research. As an interdisciplinary approach which entwines creative arts with non-arts research contexts, visual arts practice-based research uses artistic process and practice as a way of understanding (Leavy 2020; McNiff, 2008).

Louise’s presentation will introduce her own visual arts practice-based research through drawing and painting. She will discuss using this method to reflect upon the intersection of my own others’ gazes, as she shifts identities of being an artist, a researcher, a tourist, and a viewer. She will then consider a recent series of paintings. In this work, past, present, and future, interplay with figures performing tourism and leisure in spaces. Concrete and intangible imaginaries, memories, artefacts, experiences, and hauntologies evoke the ‘not yet’, and ‘never was’ (Fisher, 2014) through visual associations and memories. She will conclude my presentation by reflecting on the potential of visual arts practice-based research in interdisciplinary settings such as tourism.

References
Crang, M. (1997). Picturing practices: research through the tourist gaze. Progress in Human Geography, 21(3), 359-373.
Ekici Cilkin, R., & Cizel, B. (2021). Tourist gazes through photographs. Journal of Vacation Marketing, 13567667211038955.
Fisher, M. (2014). Ghosts of my life: Writings on depression, hauntology and lost futures. John Hunt Publishing.
Leavy, P. (2020). Method meets art: Arts-based research practice. Guilford Publications.
Lutz, C., & Collins, J. (1991). The photograph as an intersection of gazes: The example of National Geographic. Visual Anthropology Review, 7(1), 134-149.
McNiff, S. (2008). Art-based research. In: J. G., Knowles, & A. L. Cole, (2008). Handbook of the arts in qualitative research: Perspectives, methodologies, examples, and issues. pp. 29-40. Sage.
Urry, J., & Larsen, J. (2011). The tourist gaze 3.0. Sage.

Dr Louise Todd is an Associate Professor and interim Head of the Tourism and Intercultural Business Communications Subject Group at Edinburgh Napier University. Louise leads the University’s Visual Methods and Ethnography Interdisciplinary Research Group and Public Engagement with research in the Business School. Louise’s background is in visual art and her practice and research are complementary. Her interests are in arts, cultural tourism and public engagement. She is concerned with visual culture, creative and visual research methods, alongside the potential of festivals and tourism to engage with community stakeholders.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

4.3. Sonic postcards as an arts-based approach to encourage collaboration

Source: LGriffin

Seminar on the 26 February 2025

Sonic postcards as an arts-based approach to encourage collaboration.

In this session, we would like to discuss a recent project that explores some of the ways in which arts-based thinking and practice might intervene productively to support transformative action and environmental planning at the local level. A project with George Revill from the Open University used arts-based practice to find ways of opening up spaces of engagement.

Source: GReville

Our work was part of an attempt to find ways to use creative and co-produced materials more systematically within policy engagement. We co-produced a short sonic documentary called Fishing for Life, which is currently being hosted at the Wells Maltings Arts Centre.

‘Fishing for Life’ is a sound work called a ‘sonic postcard’ co-created with stakeholders, fishers, researchers and a sound artist for a UKRI project called Sounding Coastal Change. Fishing for Life explores the social, economic, and environmental challenges facing fishing communities and the strategies that fishers use to cope with them.
Sonic postcards are co-produced pieces made by publics, researchers and sound artists working together in ways which creatively assemble and voice otherwise ‘unheard’ human and non-human voices. They work with sound, voice, music and different kinds of listening. They do not tell or instruct but are instead intended to raise awareness to enhance sensitivity and attentiveness to issues that might otherwise be unnoticed. A primary aim is to stimulate better-informed discussion around the issues concerned in order to generate productive dialogue and learning.
We would like to reflect upon the social and political roles that arts-based methods and creative practices might perform and, in particular, how they can encourage and enable engagement, collaboration, and learning around environmental challenges: processes that are all central to successful planning.

Liza Griffin is an Associate Professor of Urban Health and Environmental Politics at UCL’s Development Planning Unit, Bartlett. Liza’s research on urban health and spatial politics includes projects on community responses to urban flooding, relationships between greenspaces and wellbeing, and placemaking for people with dementia. Her work on ‘Creative Practice and the Anthropocene’ explores how publicly engaged arts-based thinking and practice can intervene productively in the current environmental crisis.

George Revill is Professor of Cultural Historical Geography at The Open University. His work is concerned with landscape as a way of understanding past and contemporary experience and understanding of place, environment, and nature. Research projects involving creative practice include the AHRC funded “Earth in Vision,” focusing on digital broadcast archives and environmental history, “Sounding Coastal Change” and “Sounding Out Wells” which used sound and music to explore environmental and social changes on the North Norfolk coast.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

4.2. Practice As Research in the studio

Source: AAsh

Seminar on the 23 January 2025

Practice As Research in the studio.

Andy will use this presentation to discuss aspects of his practice and inquiry. He will use the gallery space and the presentation to explore how he is progressing in the latest commission for the Winter Sculpture Park at the Thamesmead estate with Gallery No32.

Andy Ash is an artist, researcher and educator. His practice is primarily sculpture, but an expansive notion of a sculpture, and therefore includes film, performance, objects, sound, drawing, print, and text in an installation or site-specific contexts. Collaboration and dialogue play a big role in his creative process, making his work socially engaged and interdisciplinary. He has shown his art both in the UK and internationally, including exhibitions in Japan, Singapore, Finland, and Canada. Based in Brighton, Andy works out of his studio at the Red Herring artist cooperative in Portslade and serves as an Associate Professor at University College London (UCL).

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Video hosted on the PAR YouTube channel.
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4.1. Discomfort and vulnerability as a research process

Source: LPrice

Seminar on the 7 November 2024

Discomfort and vulnerability as a research process.

In this seminar, Leri Price discusses discomfort and vulnerability within the context of her research with Syrian women living in Scotland.

Creative methods are often embraced as a means of addressing the power imbalance between participant and researcher. Committing to this does involve risk on the part of the researcher, however. How can researchers respect participants’ agency while also ensuring that they answer their own needs? And how far can, or should, discomfort be a part of this process?

During this seminar, Leri Price reflects on various encounters that occurred during fieldwork with Syrian women in Scotland on the subject of “home”, including instances where participants renegotiated the inclusion of objects in the research, and examples of avoiding engagement with the research topic. Although all parties continued to be warm, open, and engaged, the research process was subverted and/or redefined by the participants. These refusals led to what might be deemed “failed” fieldwork as Leri did not obtain the data she had anticipated gathering using creative and arts-based methods. Furthermore, Leri reflects on the implications of working in Arabic rather than her first language, English.

The presentation considers how these encounters affected the research. Vulnerability, while uncomfortable and exposing, was a key part of this reflective process and continues to be integral to her research practice. Leri takes the opportunity to reflect on what “radical openness” (Gilroy, 2004) and “staying with the trouble” (Haraway, 2016) look like in this context, how discomfort and how an openness to perceived challenges ultimately opened up new avenues of exploration and more ethically engaged research.

Leri Price is a doctoral researcher in the Intercultural Research Centre at Heriot-Watt University and her research works with Syrian women living in Scotland to explore meanings of home. She is particularly interested in exploring embodied and affective methodologies. Outside academia, Leri is a translator of Arabic literature. Her translation of “Where the Wind Calls Home” by Samar Yazbek is currently a Finalist for the 2024 National Book Award.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

3.7. Pedagogy, practice, play, and participation: Mutual learning in a co-created youth wellbeing project

Source: JPFortier

Seminar on the 8 July 2024

Pedagogy, practice, play, and participation: Mutual learning in a co-created youth wellbeing project.

In this seminar, Dr Julia Puebla Fortier discusses co-production between an academically trained researcher, artists, and young people.

One of the exciting possibilities for practice as research is gathering and acting on insight at all stages of a project’s evolution. Using principles of co-production and reflective learning, researchers, delivery partners and participants can actively shape, refine and assess intentions and outcomes.

Source: JPFortier

The Reach In Reach Out (RIRO) programme was co-created with young people to support their creativity and wellbeing and offer pathways to community engagement and volunteering in the cultural sector. The project targeted young people in the west of England living with physical or psychosocial challenges, at risk of social isolation, or transitioning to further education or employment. Through RIRO, the young people made extraordinary personal gains in creative skills, wellbeing and cultural management, and the project partner institutions strengthened their ability to engage with and co-create with youth.

Source: JPFortier

From the outset, we collaboratively designed a process to build understanding of our practice as it evolved. This presentation will explore how an academically trained researcher, artists, and young people can co-produce a reflective learning and evaluation process to improve practice in real time, collecting a variety of rich data to assess impact, produce guidance for replication, and build the creative research skills of young people and artists.

Download Dr Puebla Fortier’s slides in PDF.

Access the project toolkit here.

Dr Julia Puebla Fortier was the project co-lead of the RIRO project for Arts & Health South West. Her policy and academic experience, honed through work with multiple stakeholders and doctoral study at the London School of Hygiene and Tropical Medicine, has been transformed by using participatory, creative, and relational approaches in research, evaluation, and programme management. She has a particular interest in cross-sectoral collaboration for arts and health, the emotion work of creative health practitioners, training community researchers, and improving health and wellbeing of culturally diverse communities. She is currently an Honorary Research Fellow at the University of Bristol Medical School and does independent consulting.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

3.6. Exploring local cultural forms, engaging stakeholders, and informing policy and curriculum through arts-based research methods

Source: ABreed

Seminar on the 14 May 2024

Exploring local cultural forms, engaging stakeholders, and informing policy and curriculum through arts-based research methods.

In this seminar, Professor Ananda Breed discusses using arts-based research methods at scale.

In this talk, Professor Ananda Breed will provide case study examples regarding the use of arts-based methods for a four-year Arts and Humanities Research Council (AHRC) Global Challenges Research Fund (GCRF) project entitled Mobile Arts for Peace: Informing the National Curriculum and Youth Policy for Peacebuilding in Kyrgyzstan, Rwanda, Indonesia, and Nepal. In Rwanda, drumming was used to challenge gender inequality. In Kyrgyzstan, performance was used to create a platform for dialogue between young people and decision makers. In Nepal, Mithala Arts and Deuda were used to integrate marginalised cultural forms and communities into local and national curriculum. In Indonesia, bamboo Angklung and Lenong folk theatre were used to represent youth issues and to create a platform for youth representation at the national level. Breed will provide an overview of the varied opportunities and challenges of using arts-based research methods across the project that engaged over 194 partner organisations, 828 engagement activities, and 279 artistic outputs, serving over 28,000 beneficiaries between 2020-24.

Download Ananda’s presentation in PDF.
Download Ananda’s slides in PPTX.
More information on Ananda’s MAP project.
More information about the MAP conference.

Ananda Breed is Professor of Theatre and Principal Investigator of AHRC GCRF Network Plus project Mobile Arts for Peace (MAP): Informing the National Curriculum and Youth Policy for Peacebuilding in Kyrgyzstan, Rwanda, Indonesia and Nepal (2020-24) and GCRF Newton Fund project Mobile Arts for Peace (MAP) at Home: online psychosocial support through the arts in Rwanda (2020-22). Breed is author of Performing the Nation: Genocide, Justice and Reconciliation (Seagull Books, 2014), co-editor of Performance and Civic Engagement (Palgrave Macmillan, 2017), co-editor of Creating Culture in (Post) Socialist Central Asia (Palgrave Macmillan, 2020), and co-editor of The Routledge Companion to Applied Performance (Routledge, 2022). Former research fellow of the International Research Centre Interweaving Performance Cultures at Freie Universität (2013-214).

Further information shared in the session:
Access Charlie Ingram’s introductory document exploring practice. Using Theatre practice as a way to engage in evaluation processes and more specifically policy feedback processes, and here is the link to a research article that explores the same.

Access Ranjita Dhital’s article on her research in Nepal.

Julia Puebla Fortier and team used arts-based and participatory evaluation approaches in their UK programme to support the well-being of young people through cultural engagement and volunteering. Access their toolkit on lessons learned and tips for practice.

Here is an example of a project using theatre methods to engage young people around the issues of climate change, through giving them agency to create what they want. Its a flexible, responsive and non-linear learning, drawing inspiration from young people’s local contexts.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

3.5. Practice as research in counselling: The development of a model of counselling for sight loss.

Source: MThurston

Seminar on the 13 March 2024

Practice As Research in counselling: The development of a model of counselling for sight loss.

In this seminar, Dr Mhairi Thurston discusses Practice As Research in counselling.

“You feel as though someone’s chipped a bit out of your heart and your soul”. Practice as research in counselling: The development of a model of counselling for sight loss.
This talk outlines the mental health impacts of sight loss, through lived experience and through research. It charts the development of a model of counselling for people with sight loss, using practice as research in counselling. A quasi-judicial, hermeneutic, single-case efficacy design methodology will be explained.

Dr. Mhairi Thurston is an accredited and registered Pluralistic counsellor, as well as a Senior Lecturer in Counselling at Abertay University in Dundee. She served on the British Association for Counselling and Psychotherapy (BACP) Board of Governors from 2011 to 2020 and chaired the BACP Research Committee from 2018 to 2020. She currently chairs the BACP Good Practice Committee. Her primary research interest focuses on the social and emotional impact of acquired sight loss. Additionally, she is interested in broader issues surrounding disability, equality, and inclusion. She developed a pluralistic practice model for counselling individuals with vision impairment. She won the British Association of Counselling and Psychotherapy New Researcher Prize in 2009. Describing herself as an ‘academic activist,’ she employs research and collaboration to effect real-world change for people with vision impairment. She has worked collaboratively with RNIB to produce an award-winning training course for counsellors working with individuals who have vision impairment. She has also collaborated with Retina UK to create a free online resource that supports mental well-being in the visually impaired community. Furthermore, she founded the Sight Loss Research Network (SLRN) in collaboration with Dr. Hazel McFarlane of Alliance Scotland, aiming to bring academics and charities together to foster opportunities for collaboration. She has previously been an associate editor for the International Journal of Disability, Development, and Education, and she is a member of the editorial board of Disability and Society. She also serves as a Lay Advisor for the Royal College of Ophthalmologists. Mhairi is severely sight-impaired and has a guide dog called Meadow.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.

3.4. Entanglements: Practice As Research and “thinking-with” in prison education research

A weaved off-white fabric with black stitches

Source: LHarding

Seminar on the 9 January 2024

Entanglements: Practice As Research and “thinking-with” in prison education research.

In this seminar, Lucy Harding discusses her material, creative, activist research of prison education spaces.

Lucy Harding has used several creative methods throughout her research of prison education spaces. This includes informally thinking-with drawing, weave, and stitch and more formally researching with walking interviews, a ‘visual matrix’ method (Froggett, Manley & Roy, 2015) together with diffractive analysis. Each time she has chosen these methods, it has also been a conscious choice to be-with the data and ideas materially, where she takes inspiration from Erin Manning and calls on her intuition as a craft of research (Bell & Wilmott, 2020). But it has also been due to an innate ‘feeling’ to explore new ways, to delve deeper into affective responses, in an activist stance against the ‘academicwritingmachine’ (Henderson, Honan and Loch, 2016).

There is joy in being creative but there is angst and fear in the sharing this activism with others, especially when working with political bodies such as the prison service. This is when the discomfort hits. She then goes through a process of questioning the methodology, the material choices, the philosophy behind and in between the outcomes. In this seminar she will share how it felt to push past these feelings of discomfort and ‘stay with the trouble’ (Haraway, 2016).

Lucy Harding holds the position of Senior Educationalist at the Royal College of Physicians whilst also pursuing her doctoral studies at the University of Central Lancashire. With a career in education for over two decades, she initially specialised in creative disciplines such as textiles and fashion. Her professional journey led her to be a programme leader of teacher education followed by an educational management role in a male prison.

Working within the confines of prison environments has profoundly influenced her perspective of challenging teaching in the periphery of the education sector. Her research focus centres on understanding the affective experiences of teachers working in demanding and often traumatic settings. In her research methodology, she employs innovative approaches, incorporating creative elements such as drawing, weaving and stitchwork as integral components of data collection and postqualitative inquiry. This unique approach allows her to perceive phenomena in new and different ways.

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Video hosted on the PAR YouTube channel.
Audio hosted on the PAR Buzzsprout channel and can be listened to on Spotify, Apple podcasts or on other RSS podcast apps.